Saturday, June 29, 2013

Now playing in the Theater of Racial Reconciliation: the George Zimmerman trial.

TalkLeft says:
Lawyers for the [Trayvon] Martin family now say the case is not about racial profiling or race.... Then why did Benjamin Crump say race was "the elephant in the room." Racial injustice was the core of their argument. It was always about race to them. Race was what they used to transform this local shooting into a case of national importance.
Meanwhile, at Instapundit:
IT’S REALLY BEGINNING TO LOOK AS IF CHARGES NEVER SHOULD HAVE BEEN BROUGHT HERE: Neighbor, cop back George Zimmerman’s account of fight with Trayvon Martin.
Watching much of the trial these last 3 days, I've come to believe that the prosecution is conducting a theatrical performance in racial reconciliation. It wasn't politically easy to decline to prosecute Zimmerman, even though the evidence showed he could not be convicted, so this prosecution was mounted to demonstrate to the public that Zimmerman should not be convicted. I'm not condoning this use of the power to prosecute. I'm simply observing what is happening. I think the trial is theater, and if it's done right — with people like Crump contributing what they can — the people who got stirred up in Act I can experience catharsis.

Remember Act I? It had that wonderful cameo performance from President Obama:



He told us this was "a tragedy." Catharsis "is a metaphor originally used by Aristotle in the Poetics to describe the effects of tragedy on the spectator":
In his works prior to Poetics, Aristotle had used the term catharsis purely in its medical sense (usually referring to the evacuation of the katamenia — the menstrual fluid or other reproductive material).  Here, however, he employs it as a medical metaphor. F. L. Lucas maintains, therefore, that purification and cleansing are not proper translations for catharsis; that it should rather be rendered as purgation. "It is the human soul that is purged of its excessive passions."...

"In real life," [one scholar] explained, "men are sometimes too much addicted to pity or fear, sometimes too little; tragedy brings them back to a virtuous and happy mean." Tragedy is then a corrective; through watching tragedy, the audience learns how to feel these emotions at proper levels."
In the end, one must hope, we will come into balance.

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