"Dog punched repeatedly in popular DISNEY movie... Secret emails, documents exposed... Spielberg protected by cover-up of 'WAR HORSE' death... MORE..."
Drudge top-pages a set of headlines — including the main headline, "MOVIES, TV AWASH IN HIDDEN ANIMAL ABUSE"— aiming massive attention at a Hollywood Reporter article with a much subtler headline, "No Animals Were Harmed."
Showing posts with label Spielberg. Show all posts
Showing posts with label Spielberg. Show all posts
Monday, November 25, 2013
Wednesday, May 1, 2013
Obama's performance in the Theater of the Ineffectual President.
It's not "my job... to somehow get [Congress] to behave," said Obama at yesterday's news conference, quoted by Maureen Dowd, who says:
2. Why would this Hollywood-in-Washington adoration make him deferential to some other historical figure, one who had to accomplish great things to achieve his high place in history? Quite the opposite! It should make Obama feel that it's always been enough for him simply to be Obama, the screen onto which a nation projects its hopes and dreams. Why should Obama "absorb lessons" from the movie about "Lincoln"? Obama created his own mode of arriving at greatness, and it's not much like Lincoln's at all.
3. A "community organizer" doesn't really "organize" a community, but even if one does, Congress isn't like the communities Obama supposedly organized. The idea that Obama could "organize" Congress is silly. Congress has its own organization, and it's full of powerful individuals who are currently actively pursuing political goals, not a bunch of citizens going about their private lives who might be induced to back some political project run by somebody else.
4. Yesterday's performance at the press conference was — I would presume — theater. It was the Theater of the Ineffectual President. It was not the Theater of the Lame Duck. (Dowd's piece is titled "Bottoms Up, Lame Duck." The "Bottoms Up" refers to her suggestion that Obama "have a drink with Mitch McConnell.") Obama likes to say he'll never face another election, but he's facing the 2014 elections. His performance yesterday was — I presume — a scene in the script for winning the midterms. I can't accomplish anything without Congress. Congress is the problem. He needs his Congress. Will we not give this beautiful man — upon whom we've projected our hopes and dreams — the Congress that will bring his presidency to a successful end? He is the central character in this movie "Obama" that we've all got to sit through. If we stay in character as members of the audience — passively taking in whatever we see on the screen — we'll merge our desires with the main character in the big spectacle. Identification with the protagonist. In the scene that ran yesterday, we saw our protagonist suffering his doubts and his weaknesses. He is beset with adversaries. Oh, no!
5. So, now we can see that Obama is doing his "job," as described by Maureen Dowd: "to somehow get this dunderheaded Congress, which is mind-bendingly awful, to do the stuff he wants them to do." Somehow. I'm telling you how I think he's going about getting Congress — Congress 2015 — to do the stuff he wants them to do. Keep sitting on your bottom as he leads from behind. Or: Bottoms up! And I don't mean drinking. I mean, get your ass out of your theater seat and stop watching the "Obama" movie. The lameness is not in our President but in ourselves.
Actually, it is his job to get them to behave. The job of the former community organizer and self-styled uniter is to somehow get this dunderheaded Congress, which is mind-bendingly awful, to do the stuff he wants them to do. It’s called leadership.1. It's silly to think that because Obama played the role of himself (playing Day-Lewis playing himself) that Obama is all about Lincoln. It made Obama look like he's about Obama, and putting Obama on the same level as Lincoln, with the mock-historical grandeur and the direction by Steven Spielberg, seems likely only to inflate Obama's egocentrism.
He still thinks he’ll do his thing from the balcony and everyone else will follow along below. That’s not how it works.
How can the president star in a White House Correspondents’ Association dinner satirical film pretending to be Daniel Day-Lewis playing Barack Obama in Steven Spielberg’s movie “Obama,” and not have absorbed the lessons of “Lincoln”?
2. Why would this Hollywood-in-Washington adoration make him deferential to some other historical figure, one who had to accomplish great things to achieve his high place in history? Quite the opposite! It should make Obama feel that it's always been enough for him simply to be Obama, the screen onto which a nation projects its hopes and dreams. Why should Obama "absorb lessons" from the movie about "Lincoln"? Obama created his own mode of arriving at greatness, and it's not much like Lincoln's at all.
3. A "community organizer" doesn't really "organize" a community, but even if one does, Congress isn't like the communities Obama supposedly organized. The idea that Obama could "organize" Congress is silly. Congress has its own organization, and it's full of powerful individuals who are currently actively pursuing political goals, not a bunch of citizens going about their private lives who might be induced to back some political project run by somebody else.
4. Yesterday's performance at the press conference was — I would presume — theater. It was the Theater of the Ineffectual President. It was not the Theater of the Lame Duck. (Dowd's piece is titled "Bottoms Up, Lame Duck." The "Bottoms Up" refers to her suggestion that Obama "have a drink with Mitch McConnell.") Obama likes to say he'll never face another election, but he's facing the 2014 elections. His performance yesterday was — I presume — a scene in the script for winning the midterms. I can't accomplish anything without Congress. Congress is the problem. He needs his Congress. Will we not give this beautiful man — upon whom we've projected our hopes and dreams — the Congress that will bring his presidency to a successful end? He is the central character in this movie "Obama" that we've all got to sit through. If we stay in character as members of the audience — passively taking in whatever we see on the screen — we'll merge our desires with the main character in the big spectacle. Identification with the protagonist. In the scene that ran yesterday, we saw our protagonist suffering his doubts and his weaknesses. He is beset with adversaries. Oh, no!
5. So, now we can see that Obama is doing his "job," as described by Maureen Dowd: "to somehow get this dunderheaded Congress, which is mind-bendingly awful, to do the stuff he wants them to do." Somehow. I'm telling you how I think he's going about getting Congress — Congress 2015 — to do the stuff he wants them to do. Keep sitting on your bottom as he leads from behind. Or: Bottoms up! And I don't mean drinking. I mean, get your ass out of your theater seat and stop watching the "Obama" movie. The lameness is not in our President but in ourselves.
Thursday, March 7, 2013
"The celebrated 'red coat girl' from Schindler's List, Polish actor Oliwia Dabrowska, has revealed she was left traumatised..."
"... after breaking a promise to director Steven Spielberg not to watch the film until she was 18."
"It was too horrible. I could not understand much, but I was sure that I didn't want to watch ever again in my life." She also said she "really regretted" not paying attention to the director's suggestion that she "grow up into the film", and not watch it until she was older.She was 3 when she made the film and 11 when she watched it for the first time.
"I was ashamed of being in the movie and really angry with my mother and father when they told anyone about my part," she said. But, having revisited the film as an 18-year-old, she said she realised "I had been part of something I could be proud of."
Friday, December 21, 2012
The monster in Peggy Noonan's childhood closet was... Abraham Lincoln!
Writing about childhood fears (post-Newtown), she reveals:
One night when the moon was bright and the wind was moving the trees, I looked from my bed into the shadowed closet . . . and suddenly the clothes and the things on the shelf above had transformed themselves into Abraham Lincoln, in top hat and shawl, staring at me and waiting to be shot. That fear came every night for years. At some point a neighbor saw my nervousness or overheard my obsession, asked what was wrong, came to my house, opened my closet and announced triumphantly "See? Lincoln isn't there!" I knew she meant well, but how dumb can you get? Lincoln only came at night.She also talks about a child who was afraid of ET, so I was expecting a parade of Spielberg characters tormenting kids: the "Jaws" shark, a T-Rex, TinTin, Oskar Schindler... But here's where she's going with this:
Newtown, like 9/11, reminds us of "the mystery of being alone in the world as it is and as we are." The world is imperfect, broken, "with cracks running through it." A central fact of our lives... is that "We are all vulnerable. Anything can happen to anybody at any time."...
We attempt to respond to tragedies politically.... But there is no security from existence itself. The only answer is to "plunge into" life. "We have to engage in life and take it on with all the risks it entails, or we won't be alive at all."
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